Huge sound and powerful lyrics. Anna Karney has been making great music for many years, performing across the US and collaborating with many talented and notable artists. She has put out several singles and EPs as a solo artist and together with her band, and will release the fifth full-length Karney album of original songs titled No Mercy in stores and online March 9, 2018. Keeping her mind on social justice and positive messages, Anna Karney’s lyrical content offers a sardonic and sometimes straightforward approach to many of the issues facing people today, with a message of hope resonating throughout every song she writes. ~ March 2018

https://www.girl.com.au/karney-no-mercy.htm

San Francisco social-minded chanteuse shapes up a new context for her ever-fresh creations to shine a light in the darkest of ages. ~ August 2018

http://dmme.net/karney-no-mercy/

Anna Karney’s new album swings between sweet ballads and heavy rocksongs, most of the time very powerful and catching. I fell for the song ‘Wild Green’ with a poëm on the background. Original! – March 2019

http://www.keysandchords.com/album-review-blog/karney-no-mercy

The swift, punk-like pace of “I Got Mine” [the song] is like an adrenaline shot in the arm as Karney certainly shows she can rock with the best of them. She returns to the beautiful ballad “Not Lost,” ` – March 2018

http://www.jpsmusicblog.com/2018/03/thot-finally-releases-electric-eyes 

KARNEY/No Mercy: This hard rocking woman who music/politics mix is just right for #metoo times makes no bones about delivering a message with her music. Even revisiting some moves from the past along the way, you can hear this playing at rallies even before they begin. Hard hitting stuff for hard hitting times. Yep, she’s come a long way from making video game soundtracks.

Via: http://midwestrecord.com/MWR1330.html

Karney – No Mercy

Review by Gary Hill

Karney consistently releases intriguing music. Her sound is typically hard to pin down, but lands closest to progressive rock. That said, there is music here that’s not prog. I have to say that I question the choice for opener because if there is a song that doesn’t work as well as the rest, that’s it. The closing section of the album is the strongest, too.

Read the full review here: http://www.musicstreetjournal.com/index_cdreviews_display.cfm?id=106350